Down in the bottom

March 26, 2014 § 1 Comment

I met Bruce in 1988. He doesn’t remember it.

Roger and Jimbo, fellow bike racers, had suggested that we do a “little run” along Town Lake. I reminded them both that I only ran after a bad Mexican meal. Neither cared; it was a set-up. Roger ran regularly and Jimbo did, too.

Bruce met us and we started out on our “little” 10k. Exclusively a cyclist, I was amazed at how my biking fitness translated into running. I left those turkeys in the dust before they’d even warmed up. After the first mile I felt funny. After the second my legs seized up. Everything hurt so badly after that I could barely walk.

Bruce, an actual runner, blew past. Roger, a crappy runner, roared by a bit later. Jimbo, who gave jogging a slow name, lumbered by as I struggled to put one foot in front of the other. By the time I reached the end of the run they were conferring, I suppose, about whether or not to send out a search party.

That’s the first time I had ever run two miles, and the last time I ever ran anywhere, and like the rest of my life, that moment was tied and twisted and nailed down through some vague connection to a bicycle.

Everything’s connected

Through Roger I met Dave, and a few weeks ago I posted some musings on Dave’s music. Dave, through all these years, is good friends with Bruce, and forwarded him the link. From there Bruce, perusing the blog, ran across Cycling in the South Bay, my epic book which is now ranked #697,843 on the Amazon bestsellers list. Bruce bought a copy, pushing this seminal work relentlessly higher on its inevitable surge to #1.

And as things turn out, Bruce is a writer. Not a bloggy, scratch-your-ass-in-the-morning-in-between-bong-hits while trying to think up some way to fill up the screen type of writer, but, you know, like, a real writer. A person who does plots and characters and dialogues and climaxes and settings and novels that are so damned real they will scar the hair off your hot parts.

He wrote a book called “Sour Lake.” It’s not about how to mix whiskey cocktails.

What it is, is a book you should read. What it is, is a book you should read in paper, not digital format. What it isn’t, is a book you should read alone, or late at night. Especially don’t read it late at night.

Blurred margins

I recommend reading this book in the paper format because there will be less damage to your e-reader from your terrified clutch as you move through the harrowing tale. The book will also suffer less from the sweat that pours off your forehead. How gripping is this story? It reminded me of “The Shining,” which I read during the summer in broad daylight during the algebra class I’d failed in the regular school year. I still remember being scared witless reading that book in the afternoon surrounded by people.

The plot of “Sour Lake” I’ll leave to you. If you’re interested in scary-ass stories, you will like it plenty.

What I won’t leave to you is the inner mechanical beauty of this book. I’ve never read a novel that so completely blurs the lines between fact and fiction. In the beginning it seems like a historical novel, almost real in its verisimilitude. Then it clearly becomes fictional. Then it drifts into the science-fiction genre. So far, so good, unless you begin reading it a bit too closely (this tends to happen late at night when you’re good and scared).

By the end of the book you will, I promise, be wholly uncertain as to whether you just read a spectacularly scary book or an objective primer on the demise of the human race. This midwifery between novel and journalistic account is so well done and so unnerving that it is only by the light of morning and a hard coffee-toast-butter-jam-coffee scrum that I can confidently push the thing over into the “fiction” pile.

The Big Thicket

The second beauty of this book is its portrayal of the Big Thicket. I’ve floated the Neches down through the heart of that thing. I’ve hiked the deep trails and been surprised by wild hogs and their piglets. I’ve seen pitcher plants, pileated woodpeckers, and have watched hooded warblers flitting through the trees. And I will say this: Bruce McCandless has woven the primeval nature of the Thicket as the background for his story with hardly a thread out of place.

I say “hardly a thread” because early on he remarks that a “crane flew up,” or some such ornithological nonsense, and at another point he makes a comparison to a whooping crane. These missteps aside, his rendition of the Big Thicket as a force for evil and as a place that has eternally thwarted the efforts of men is done with incredible skill. You know he’s spent time there, and that he’s well versed in the history and character of one of the last great wild places in Texas.

Since it’s a novel that features gore and terror galore, the Thicket is a perfect setting perfectly matched to its subject matter. But let me say this in its defense: the Big Thicket is no fear-filled place of goblins and demons. It’s one of the last pieces of wild left in America and has been under assault for decades by timber and other interests. It is a gentle and beautiful outdoor wonderland where the confluence of biological time zones has produced an amazing variety of life, especially plant life. Still, if you’re tramping it at night …

The Sears Craftsman

The final beauty of the book is the way it is crafted. If you love writing where every word has been selected with care from a million others and placed perfectly in series, you will be blown away by the prose in this story. The words fit the story like the perfect jigsaw puzzle. Not a single anything is out of place. The careful mix of letters, news clips, and prose make for page-turning reading at its best.

You’ll also love the dialogue and Bruce’s feel for the way people speak. He’s a connoisseur of bad Texlish, which is some of the most expressive language anywhere. In short, the book doesn’t read. It runs. I suppose from a guy who used to race 10k’s at the head of the pack, I should have expected nothing less.

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