Daddy’s girl

May 1, 2014 § 25 Comments

The first time we shared a beer, or rather ten beers, neither of us could drink. I, because I had been on the wagon for the better part of three years. She, because she was five.

It was at a big party put on by her dad. There was the obligatory keg and more than a hundred guests. She had been fascinated by the tapping of the keg and the spew of foam. Her dad had noticed her curiosity. “Romy,” he said when she got too close to the tap, “don’t pour the beer.”

I watched the whole thing from a safe distance and said nothing, but sooner rather than later dad got pulled away by the festivities, leaving me, the teetotaler, to fill up all those red plastic cups. And fill them I did, with Romy watching shyly, but not too shyly, from the edge of the hedge. Pretty soon the drunks, I mean the guests, had as much beer as their cups could handle, and with the arrival of the taco truck they migrated down the hill to cut the bitter beer with an infusion of salt and salsa.

I looked at her and she looked at me. It was just the two of us. “Want some beer?” I said. She nicked her head and came over to the tap.

“How do I do it?” she asked.

I showed her, and we filled up a cup all the way to the top. “Okay,” I said. “Now fill up mine.” She did.

We stood there looking at each other, grinning, and nervously glancing down the hill to see if dad had noticed our shenanigans. He was holding court, though, and it was pretty far away. “Now what?” she asked.

“I dunno,” I said. “I don’t drink beer.”

“Me neither. But it’s fun squirting out from the thingy,” she said.

“Let’s dump it over here,” I suggested, and we committed the ultimate beer sin: we poured out our cups under the hedge.

“Let’s do it again!” she said.

She filled our cups with more beer, and we laughed, looking down the hill, giggling but a shade worried that we’d get discovered. After filling and tossing several more cups, a drunk came up and requested a refill. I obliged.

Much later I went down the hill to pay my respects to the godfather and say goodnight. “Thanks for the party,” I said.

“You have fun?” he asked, eyes twinkling.

“A blast.”

“Romy seemed to enjoy herself.”

“Ah, yeah,” I said.

He grinned a knowing grin.

As the years go by

Later that year he moved to North County San Diego. Over the years I’d go down from time to time to ride bikes and drink his beer, having fallen long and hard from that impossibly unstable wagon. Romy would invariably pop in when we were drinking and would want to talk about books. She read everything, remembered everything, talked about everything. I’d call her precocious except she wasn’t “pre.” She was fully informed and alert, and ended up giving me books to read, probably to improve what she’d identified as a seriously deficient intellect.

What I always noticed, though, wasn’t simply the brilliance and the fully formed mind. I noticed her and her dad. Something very profound and warm existed between them, as strong and evident as that day when we’d poured beer on the sly, which hadn’t been on the sly after all. He was all-seeing. She was all-loving. The father and daughter were in harmony with the world and had been from the date of issue.

On Sunday I finished the Belgian Waffle Ride, riding through a puffed-up arch, the scanner notching my time at almost nine hours, and there was nothing on my mind except the thought that I could get off my bike and have a beer. Across the way I saw Romy and her dad. She’d been waiting anxiously at the finish line for him to come through, which he had done, almost two hours before me.

When he got there, the moment was captured in pixels by Kristy Morrow, one of the finest photographers around. It was more than a tired old guy crossing the finish line. It was something far more special than that. I’d tell you what it was, but since a picture is worth a thousand words, I’ll spare you the extra two thousand in verbiage and let you figure it out for yourself.

Under the arch with Romy. Photo copyright 2014 by Kristy Morrow, used with permission.

Under the arch with Romy. Photo copyright 2014 by Kristy Morrow, used with permission.

Daddy's girl. Photo copyright 2014 by Kristy Morrow, used with permission.

Daddy’s girl. Photo copyright 2014 by Kristy Morrow, used with permission.

END

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Thieving thieves and their thieving thievery

February 18, 2013 § 27 Comments

I pedaled over to the CRB crit this morning and it was cold. I had a cup of coffee. I bought three cookies for fifty cents. I got my number and forty-seven safety pins and began pinning it on. Armin Rahm let me sit in one of his chairs, which warmed my back. Kristy Morrow and Haldane Morris were getting ready to race instead of toting the giant cameras with which they can normally be seen.

Along with Danny Munson, BJ Hale, Brian Hodes, Greg de Guzman, PinkShorts, Christy Nicholson, and a slew of other fine race photographers, Kristy and Haldane make up the photo corps that documents the local races with such amazing quality and detail.

After I got my number pinned on I was going to go over and chat with Kristy about the photos she’d taken at the UCLA road race yesterday. At that very moment, I felt a deep and powerful rumbling in my lower gut.

A very public performance

This was unusual; although I’m a bit of a dribbler before racing, I’m hardly ever a crumper, and this was a lowdown churning sending a message to my brain saying, “Find a deep hole quick or we’re gonna need a hazmat squad!”

I clattered over to the cages, and since my 50+ Elderly Prostate race was going off in fifteen minutes there was already a solid line. Pottymouth that he is, Chris Lotts understands the importance of potties, and there were four stalls to accommodate us. As I stood in the queue it lengthened behind me. My turn came, not a second too soon, either.

I dashed in, hung my jersey on the peg (careful not to drop anything on the floor, eccch), and quickly sat down. There was action in the cage to my right and to my left. Righty was dribbling, and Lefty sounded like he was in the mop-up stages of his pre-race crump.

What happened next was astonishing. I know that it couldn’t have had anything to do with dinner the night before, which consisted of two large servings of spicy pork bulgogi, four servings of spicy kimchi, three servings of spicy cucumbers in vinegar, lots of hot herbal tea, all topped off with a big bowl of yogurt and fruit. I also know that it couldn’t have had anything to do with the fibrous breakfast I’d just eaten, the pot of hot coffee I’d just drunk, the forty-five minutes of hard pedaling to get to the race course, the extra hot cup of coffee I’d just downed, the chocolate chip cookies I’d just eaten, or the handful of dates I’d just scarfed. Nope, it couldn’t have been any of those things.

But it might have been all of them combined, because I let out an enormous braaaaaack, then a whummmmmp, then a staccato tackatackatackatacka fusillade of small arms fire, then a massive flurlurlurlurlurrrrrrp discharge of the River Ganges that sounded like a waterfall filled with raisins and dates, then a high-pitched bibibibibibiiiiii whine like a bottle rocket, then another deep whummmmmp, and then an airy, balloon-emptying blaaaaaat, terminating with a pfssssssssst.

It all happened in the clench of a sphincter, and after the racket subsided and the sounds stopped bouncing off the inside of the plastic shell, I realized that all around me there was…nothing. Righty was silent. Lefty was silent. All chatter and banter outside the cage had gone mute.

Before I had time to get embarrassed, the second movement of my public symphony commenced. This time it began with the fusillade, went straight to whump, and finished with the blaaat, which sounded like a kid trying to blow a proper note on a trumpet for the first time, and failing.

More silence.

I pulled up my shorts and bravely opened the door. Thirty or so awed and very frightened bike racers stood there, all but a couple averting their gaze. No matter that they all had to go so badly that they were tap dancing in their cleats, not a single person moved towards my potty, which was now vacant.

I looked straight at Mr. Next In Line. “Might want to give that ‘un a second or two to air out,” I said.

He nodded, pale, and didn’t budge.

Oh, the race?

Since I’d already won Pro 1/2/3/4/5/Masters/Women’s/Juniors’ potty competition, the race was anticlimactic. I attacked a couple of time, chased a couple of breaks, and went for a no-hoper solo flyer on the last lap which ended the same way such boneheaded moves always do: Caught with half a lap to go, dropped by the supercharged field, and rolling across the finish DFL many seconds in arrears.

After the race I rode over to my office in Torrance to work for a few hours. “Work” of course involved checking out the photos taken by Kristy and Haldane the day before.

There were some great ones. Me quitting the race in ignominy. Mike Easter winning in his national champion’s kit. Jeff Konsmo sprinting for the win. The local Pearblossom tweeker driving around, flipping off cyclists, and telling them to “ride on the sidewalk.” [Author’s note: The nearest sidewalk is 47 miles away, in Los Angeles.]

After a few minutes, one thing became obvious. The same thing that’s obvious after every race: People were stealing the photos.

Can we call it what it is?

When a photographer takes a picture, and you take it without their permission, it’s stealing. It’s no different from taking someone’s money, or their spare wheelset, or their wallet.

It’s stealing.

Virtually all of the local race photographers have their photos in a gallery on Smugmug or some similar site. This means you can go to the gallery, PAY FOR THE PHOTO, and then download it. It often costs a whole two or three dollars.

But bike racers being bike racers, the trend is to steal the image, remove the watermark, and then use it as  a profile picture or main feature on a team web site. Why don’t the thieving thieves consider this thievery? Because they have figured it out in their own minds that it’s not stealing. Here’s how they rationalize the theft:

  1. “I gave the photographer credit for the photo.” Nice. So you not only stole it, you rubbed his nose in it. Photo thieves think there’s this giant Photo Credit Bank in the sky, where, as long as you “give the photographer credit,” the bank rains money down on them. Guess what? There is no Photo Credit Bank. Guess what else? Just because you admit you stole something doesn’t mean you didn’t steal it.
  2. “I’m helping promote their work. It gets their name out.” Right. Kind of like how you promote Michael Jackson by illegally downloading his music without paying for it and then play it to “get his name out?” Or the way you promote Steven Spielberg by ripping off his movies? That kind of “promotion” is called “stealing.”
  3. “They don’t care. They’re just glad we appreciate their work.” Yes, they do care. And you’re not appreciating it. You’re stealing it. If you appreciated it, you’d pay for it.
  4. “It’s part of their cost of doing business. They sell some of those photos, which makes up for the ones they don’t sell.” Exactly. In retail it’s called “shrinkage,” or, more technically, “shoplifting.” It’s a cost of doing business all right, the cost of crime.
  5. “So sue me.” Glad you brought that up. Check out these links to find out the kind of hot water that can be boiled up around your tender parts for stealing pictures: Blogger sued for infringement; Company sued for photo theft; Ways you can get hosed using images without permission.

So what’s a feller to do?

When one of our local photographers takes your picture as you battle it out for 37th place in the Masters 75+ race, tags you on Facebook, and it pops up as a notification, check it out and see if you like it. If you do, go the web site and buy a copy. But don’t take it, strip the watermark, and use it as your profile picture. After you’ve bought it, it’s good form to confirm with the photographer how you plan to use it and that they approve. It’s not only polite, it could keep you out of hot water, and most importantly it will keep them coming to the races and making us the beneficiaries of their superlative work.

If you’ve got hundreds of photos on your Facebook page, take a minute to scroll through them and make sure that if they’re race photos you haven’t copied and pasted without buying or getting permission. One or two falling through the cracks might be understandable, but more than that and it’s a pattern. A bad one.

None of this is supposed to be an explanation of your legal rights, or, Dog forbid, legal counsel. Rather, it’s a plea to quit ripping off your friends, and if you’ve ripped them off by mistake, or in error…correct the mistake. You’ll find that money, timely paid, covers a multitude of sins.

If you’re ever in doubt, ask first. You’ll be glad you did, and they’ll be even more so.

And if you need a quiet place to sit down and think all this over, just don’t go into Stall No. 3.

END

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